Three by Three: Guest Artists in Focus
QUESTION 2. Reflective metal is notoriously difficult to render; what mental shift or observation technique allows you to see light instead of the object when capturing it?
ANSWER 2. For inspiration, I use reference photographs that I either take myself or find on websites like Freepik and Pixabay. It is important to me to convey a soul in my images, that "something" that lifts the subject out of the photograph and into the art. I am fortunate to have been born with an absolute color memory. I have a good understanding of colors, which is of great help in the process. The objects are created from light and values. For me, it’s about trusting the process and depicting what I see – even though I can hardly believe it will really turn out the way I imagine. But fortunately, it exactly does that. Sometimes to my surprise.
Pernille Dysthe
Mixe....
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QUESTION 3. Hyperrealism often requires intense focus and patience—what emotional state or ritual helps you enter the level of stillness needed to sustain that precision?
ANSWER 3. I have always had a channel-like focus. Whatever I’m interested in, I go into 100 percent. At that point, I shut everything else out. It doesn’t need to be completely quiet around me. I am so absorbed in what I’m doing that everything else disappears. Drawing has become an addiction, an urge within me. I can sit for many hours without noticing the passage of time. Then I forget everything else. But: I often listen to an audiobook or podcast while I work.
QUESTION 1. Your work spans charcoal, watercolor, colored pencils, graphite, pastels, markers and oil paint — how do you decide which medium will best serve the texture or temperature of a subject?
ANSWER 1. Most of the time, I decide on the medium before I choose the subject. Then I have to find a subject that inspires me and fits the medium I've chosen. I first and foremost need to feel inspired. Then it could just as well be the materials that inspire me as a specific subject.
Painting shiny effects is what occupies me the most these days. It can be various metals like silver, gold, bronze, glass, and steel. To challenge myself, I use different media to recreate these on paper or canvas. For example, how to bring out gold with watercolor, colored pencils, or pastels.
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